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The
activity of the Contemporary and Modern Art Gallery
started in 1956 with the successful series of San
Marino Biennial Exhibitions.
Mario
Penelope was one of the major authors and promoters of the
first edition entitled “Premio d’Arte Figurativa del
Titano” (San Marino prize for figurative arts). Thanks
to him, some of the most renowned contemporary artists
were involved in this initiative, like Renato Guttuso, who
was a member of the judging committee.
The success of this first exhibition, which
saw the participation of more than 515 artists and about
100,000 visitors, encouraged the organizers to repeat this
initiative , also with the objective to create in San
Marino a contemporary art collection with the “purchase
prize” formula.
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The “Premio Repubblica di San
Marino – Biennale per la Pittura” (San Marino Prize –
Painting Biennial) was inaugurated three years later,
followed by the “Terza Biennale di Pittura” (Third
Painting Biennial) in 1961, both planned and directed by
Gerardo Filiberto Dasi. The Fourth Biennial organised in
1963 and entitled “Oltre l’Informale” (Beyond
Informality) bore the hallmark of Giulio Carlo Argan who,
as Chairman of the judging committee, proposed to limit
participation to the most renowned artists, painters and
sculptors working beyond informality. 146 artists, among
whom Christo, Dorazio, Kounellis, Rotella, Schifano and
Turcato, participated in this Biennial.
The direction of the “Quinta Biennale
Internazionale d’Arte Contemporanea” (Fifth
International Biennial of Contemporary Art) was entrusted
to Efrem Tavoni who, with the collaboration of Marco
Valsecchi, proposed a meeting among European young
artists. The direction of the Sixth Biennial (1967), the
last one, was entrusted again to Giulio Carlo Argan, who
proposed the theme “Nuove Tecniche d’Immagine” (New
Image Techniques), with the purpose of giving voice to the
most innovative proposals in the cultural field and
creating a free, experimental exhibition, open to the most
vital expressions of the avant-garde research.
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